
Not a Cluster of Parts with a Silhouette
The bar is where the brass arm ends after rising straight from the shade. A smooth dome keeps the fixture on one graceful line.
One raw brass bar carries three open shades, dropping light where you stand. Over a mirror, above the bed, or along a hall, the wall reads as finished.
Smooth metal connections and a finely finished surface show up on a closer look. Every detail is meant to feel clean and refined.

The bar is where the brass arm ends after rising straight from the shade. A smooth dome keeps the fixture on one graceful line.

Just under the open rim, the globe washes a mirror or a counter. It does not glare up at the ceiling.

One mount. One round brass plate. Three shades. A level bar. Nothing extra on the wall.
The frame is raw brass and it stays. Shade color is chosen per home, following walls or stone or linen.




Not only the bedroom. Also the living room, the bath, a powder room, a hall, or an entry.

Headboard glow, warm. Shades, beige white. Company, the linen. The night is not crowded.

Above the sofa the light stays easy to find on the brass bar, while olive shades follow the deep green wall.

Stone stays clear. Matte black shades span the mirror. Light falls toward the sink.

No soak on this fixture. A soft dry cloth handles the brass and coated shades, with water kept off the sockets.
The brushed surface wears evenly if you skip bleach and scratchy pads. Raw brass is supposed to deepen gently with air and touch.
Power off, bulbs cool, then a wipe. Shower spray and standing water are not part of the clean.